![]() Decca's sound is remarkably clear, warm, and natural, and it holds up quite well in comparison with the label's later improvements in digital reproduction. Other than this non-essential filler, this is a solid collection that represents the best of Debussy's orchestral scores in fine, and sometimes magical, performances. The only piece that drags the collection down with its inescapable dullness is Le martyre de saint Sébastien this suite of orchestral pieces, culled by André Caplet from Debussy's incidental music for Gabriele d'Anunzio's religious play, is stodgy and lifeless even with Dutoit's and the MSO's best efforts, it comes off as a flat sequence of tedious tableaux. The performance of Prélude à l'après-midi d'un faune, however, is possibly the most captivating of the album, not only in feeling completely intuitive and effortless, but also in its radiant colors and sparkling effects, scarcely rivaled anywhere else. ideally the music isall Thomas, and not copied from Debussy for example. These bright-toned and sprightly accounts are among this set's most memorable highpoints. A lively, dance-like theme enters at bar 148 before the sound dies away at the. This chapter concentrates on how the imprint of Tchaikovsky, Balakirev, and Musorgsky makes itself felt throughout Debussys piano music, from his first three. For this kind of atmospheric, evocative music, Dutoit is one of the world's foremost interpreters, and his approach to Debussy's orchestral works is lively and vibrant, as demonstrated in his effervescent readings of La mer, Jeux, and Nocturnes. This 1999 double-disc of Debussy favorites, performed by Charles Dutoit and the Montreal Symphony Orchestra, is a well-balanced compilation of recordings made in 19, with only one of the offerings, Printemps, dating from 1994. Nocturnes (3) for Orchestra by Claude Debussy Notes: Composition written: France (1892 - 1894).ĥ. Prélude à l'après-midi d'un faune by Claude Debussy Le martyre de St Sébastien symphonic fragments by Claude DebussyĤ. Orchestra/Ensemble: Montreal Symphony Orchestra Orchestra/Ensemble: Montreal Symphony Orchestra, Montréal Symphony Women's Chorus Label: Decca Catalog #: 460 217 Spars Code: DDD Not an easy piece to play well, this work allows the most accomplished pianists to shine.Debussy: La Mer, Nocturnes, Jeux, Etc / Dutoit, Montreal So ![]() ![]() Now the work consists of four movements: a lively contrasting 'Prélude', a playful comedic 'Menuet', the gorgeous 'Clair de lune' and the staccato 'Passepied'. Debussy wrote the famous Suite Bergamasque as an Impressionist example, and Ravel composed his Miroirs suite, both for piano. In those intervening years, the movement 'Pavane' had been retitled 'Passepied', and the 'Promenade Sentimentale' became the famous 'Clair de lune'. In the 15 years between the work's conception and its publication, some confusion remains over what was composed originally in 1890 and what in 1905. The bergamask, reputedly a clumsy dance performed originally by natives of Bergamo, becomes the beautiful 'bergamasque' in French. like landscapes, charming masks and bergamasks, playing the lute and dancing, almost sad in their fantastic disguises'. Clair de lune is the third movement of Debussys piano concerto, Suite. It was within the inspirational poem 'Clair de Lune' by Debussy’s friend, Paul Verlaine, that the composer found the seeds of the complete work’s title. Verlaine writes of 'your souls. Claude Debussys Claire de lune is one of his most beloved and known piano works.
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