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![]() ![]() I double click on the rectangle icon + ALT and a new rectangle of 15x20cm is created, I use this rectangle as the cutting line of this image on the plotter for cutting foil. It is often the case that the shape of objects to be printed is a rectangle.įor example, I insert a 15x20cm picture on the page. If I am preparing a project of stickers for printing on foil with an Ecosolvent plotter with a contour cut - I have to prepare this contour. Of course, I will draw such a rectangle by dragging it on the screen and adjusting the rectangle to the size of the previously determined page, because it will snap to the edges of the page, or I will enter the size of this rectangle in the Transform panel.įor business card or flyer printing in a print shop, I also need to get a bleed rectangle, so I have to draw that too. 90x50mm, in order to, for example, obtain a background. When designing business cards or leaflets, I often need to draw a rectangle the size of a business card, e.g. ![]() I use Publisher software in the advertising industry on a daily basis.Įvery day we design business cards, leaflets, signboards, I prepare projects for cutting on a CNC plotter, laser plotter and foil cutting plotter. I only ask as you said that you “very often need a rectangle around the created page” but you don’t say why and I’ve never needed that so I don’t understand the potential benefit(s).Īlso, what do you mean by “around”, and how would the formatting of the rectangle be chosen? GRAFKOM: Can you explain why this functionality would be useful? ![]() So the good news is that Capture One now allows you to batch-change capture times across multiple images to suit. I’m absolutely certain we also synchronise that time with others who are shooting with us before each session to. Yes, yes, of course we always make sure our camera’s internal date and time is correct before every single shoot. You’ll find all 10 styles – across landscapes and cityscapes – now apply on layers in v23, allowing for even more creativity as you experiment with your images.įor existing owners of Elevation Styles, you can download the latest version from your account area on Īnd for new users, just head to the Elevation Styles product page for more info!īeyond the new approach to layered styles, Capture One Pro 23 brings a host of workflow improvements and under-the-hood tweaks to make this latest version even more focused on getting the best out of your editing time. In the case of Blockbuster, above, the v23 Style has been completely re-engineered to give you separate sliders for the cool (teal) elements vs the warm (orange) elements and their applied contrast.įor Golden Hour, we’ve built two layers – one for control of contrast and the underlying base adjustments, the other for the addition of warmth in the sky – again, with absolute flexibility for both. ![]() While this isn’t quite ready for use on iPad, it does mean we’ve been able to build a huge amount of flexibility into all existing (and new) Elevation Styles from launch when applied to the latest desktop version.īy splitting styles across one or more layers, the new style packs apply each effect starting at 50% opacity with independent control where needed you can now increase, or decrease, each element to your liking. Of course, one of the big new features of Capture One Pro 23 is the ability to use Layered Styles (ie: we can split a style across multiple layers, instead of being limited to just the background or only 1 layer combined). Some may prefer their trails to “pop” a little more (in which case, brush less or back-away the opacity on the layer), while others may want ultimate definition by loading a heavy mask over the areas involved – with the new Traffic Trails Style Brush you have complete control.Īnd don’t forget – it also works on building lights, so while it can’t recover completely overexposed details, it can certainly help bring some definition back to a night scene. Using a selective mask (the brush settings are built into the style, allowing for a low flow as your draw across an area), you can now recover individual traffic trails as much (or as little) as you choose. In the latest Elevation Styles Pack, you’ll find the answer – in the form of our brand new Traffic Trails Style Brush. It’s one of the most-often asked questions we get about editing city lights at night – how to define the lines of traffic trails or the detail in slightly overexposed building lights. Naturally, each of the new styles comes in the standard 4 variants (default, highlight recovery, shadow recovery and maximum dynamic range), and can now be applied as variable layers in v23, set as default at 50%. Consider adding some Film Grain onto the background layer for an even stronger vintage/film look:.Ideal for high contrast landscapes or seascapes with bold ocean hues.Cool colours are protected, while subtle shifts in warmer hues give an aged effect. Adds a vintage, low-contrast feel to high contrast landscapes with soft pastel shades and muted tones throughout. ![]() Can be used along with the new Traffic Trails Style Brush to separate light streams without affecting the rest of the image’s highlights.Ideal for vibrant cityscapes captured in blue-hour, with strong yellow trails. ![]()
![]() Decca's sound is remarkably clear, warm, and natural, and it holds up quite well in comparison with the label's later improvements in digital reproduction. Other than this non-essential filler, this is a solid collection that represents the best of Debussy's orchestral scores in fine, and sometimes magical, performances. The only piece that drags the collection down with its inescapable dullness is Le martyre de saint Sébastien this suite of orchestral pieces, culled by André Caplet from Debussy's incidental music for Gabriele d'Anunzio's religious play, is stodgy and lifeless even with Dutoit's and the MSO's best efforts, it comes off as a flat sequence of tedious tableaux. The performance of Prélude à l'après-midi d'un faune, however, is possibly the most captivating of the album, not only in feeling completely intuitive and effortless, but also in its radiant colors and sparkling effects, scarcely rivaled anywhere else. ideally the music isall Thomas, and not copied from Debussy for example. These bright-toned and sprightly accounts are among this set's most memorable highpoints. A lively, dance-like theme enters at bar 148 before the sound dies away at the. This chapter concentrates on how the imprint of Tchaikovsky, Balakirev, and Musorgsky makes itself felt throughout Debussys piano music, from his first three. For this kind of atmospheric, evocative music, Dutoit is one of the world's foremost interpreters, and his approach to Debussy's orchestral works is lively and vibrant, as demonstrated in his effervescent readings of La mer, Jeux, and Nocturnes. This 1999 double-disc of Debussy favorites, performed by Charles Dutoit and the Montreal Symphony Orchestra, is a well-balanced compilation of recordings made in 19, with only one of the offerings, Printemps, dating from 1994. Nocturnes (3) for Orchestra by Claude Debussy Notes: Composition written: France (1892 - 1894).ĥ. Prélude à l'après-midi d'un faune by Claude Debussy Le martyre de St Sébastien symphonic fragments by Claude DebussyĤ. Orchestra/Ensemble: Montreal Symphony Orchestra Orchestra/Ensemble: Montreal Symphony Orchestra, Montréal Symphony Women's Chorus Label: Decca Catalog #: 460 217 Spars Code: DDD Not an easy piece to play well, this work allows the most accomplished pianists to shine.Debussy: La Mer, Nocturnes, Jeux, Etc / Dutoit, Montreal So ![]() ![]() Now the work consists of four movements: a lively contrasting 'Prélude', a playful comedic 'Menuet', the gorgeous 'Clair de lune' and the staccato 'Passepied'. Debussy wrote the famous Suite Bergamasque as an Impressionist example, and Ravel composed his Miroirs suite, both for piano. In those intervening years, the movement 'Pavane' had been retitled 'Passepied', and the 'Promenade Sentimentale' became the famous 'Clair de lune'. In the 15 years between the work's conception and its publication, some confusion remains over what was composed originally in 1890 and what in 1905. The bergamask, reputedly a clumsy dance performed originally by natives of Bergamo, becomes the beautiful 'bergamasque' in French. like landscapes, charming masks and bergamasks, playing the lute and dancing, almost sad in their fantastic disguises'. Clair de lune is the third movement of Debussys piano concerto, Suite. It was within the inspirational poem 'Clair de Lune' by Debussy’s friend, Paul Verlaine, that the composer found the seeds of the complete work’s title. Verlaine writes of 'your souls. Claude Debussys Claire de lune is one of his most beloved and known piano works. |
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